Luminograph A4

Your images.
On paper.

A UV exposure unit and contact press for your cyanotypes and alternative prints, up to 21 × 29.7 cm.

Luminograph A4, assembled with the mechanical press closed, neutral studio lighting and soft blue UV LEDs

Made in France2-year warranty1 year of Calibration Flow Pro included

Luminograph A4, close-up of the two press arms and the pressure-plate hingesMechanical press · 2 arms

The contact

Contact makes
the detail.

Two mechanical arms hold the negative against the paper during exposure. Your image is printed by contact, at the size of your negative.

UV light and a mechanical press, together in one instrument.

The light

Red to prepare.
UV to expose.

A red safelight and a UV channel, switched on separately.

Luminograph A4 with the press closed, lights off
A4 shown. The same selector on both formats.

One selector. Three positions.

Red, off, UV. The two light channels are never switched on together.

Optional Wi-Fi module: Calibration Flow switches off the UV at the end of your exposure.

The format of your images

More room.
The same process.

Choose the format for the prints you want to make. Exposure times stay the same when the other printing conditions are identical.

A4

Paper up to21 × 29.7 cm

Exposure area
23 × 33 cm
Your current model

A3+

Paper up to32 × 48 cm

Exposure area
36 × 51 cm
Explore A3+

Paper sizes shown at the same scale.

Your next prints start here

Close-up of the Luminograph A4 selector control
One selector. Three positions.
See how Luminograph works
UV exposure unit · Contact press

Luminograph A4

A compact UV exposure unit and mechanical press for your cyanotypes and alternative contact prints.

Exposure area
23 × 33 cm
UV power
30 W
Press
2 arms

Made in France

€449

Machine only: UV source and mechanical press. Paper, chemistry, negative film and studio tools are selected separately.

Quantity

1

Orders to France: dispatch within 48 hours

2-year warranty

Secure payment

No instruction manual supplied.

Shipping & returns
Technical specifications

Technical specifications

Max format
21 × 29.7 cm
Exposure area
23 × 33 cm
UV power
30 W
Power supply
24 V
Wavelength
395-400 nm
Safelight
Built-in red safelight
Control
Wi-Fi, optional module
Negative/paper contact
Mechanical pressure, 2 arms
Weight
~3.5 kg
Construction
Warm-grey painted MDF; aluminium parts

A three-position selector drives the lighting: red safelight channel, off, UV channel. The two never light together — the red light lets you prepare and position the negative without fogging the sensitised coat.

The machine doesn't count time for you: it lights, you decide when to stop. Since its output varies with neither the hour nor the season, a watch is enough to repeat exactly the same exposure from one print to the next. The Wi-Fi module, sold separately, takes over that counting: driven from the Calibration Flow app, it switches the UV channel off at the chosen time.

Compatible processes

Cyanotype
Gum (Color & Sanguine)
Resinotype
Bromoil
Carbon print

Indicative exposure times

Cyanotype3-5 min
Gum print4-8 min
Resinotype6-10 min
Bromoil2-4 min
Carbon print5-10 min

* Times vary with negative density, paper humidity and the exact process used

Designed and made in France

Before your first print

A few practical answers.

Do I need the Wi-Fi module?

No. You can switch the UV channel on and off manually and time the exposure with a watch. The optional Wi-Fi module lets Calibration Flow switch off the UV at the chosen time.

What else do I need for a print?

Sensitised paper or your process chemistry, a negative in the final print size, and suitable processing tools. The extras are optional: keep using the equipment you already own.

Does the Luminograph enlarge my negative?

No. It is a contact-printing exposure unit. The negative and the paper are held together by the mechanical press; the negative must match the intended print size.

How do I choose the exposure time?

Start with a test strip for your process and negative. Exposure depends on the chemistry, paper and negative density. Moving from A4 to A3+ does not require a longer exposure when the other conditions stay the same.

Explore the optional Wi-Fi module

Make room for your practice.

Chemistry, paper, negatives: add what you need, and keep using the equipment you already own.

Complete workspace

1/5 steps

01 · Chemistry

1

02 · Support

4
  • Needs Primer N°04
  • Needs Primer N°04

03 · Negative

1

04 · UV exposure — included

1
  • Luminograph A4

    Included

05 · Studio tools

1

Watercolour papers must be primed before sensitising, so Universal Primer N°04 comes with them. It is not on sale yet: mark it “I already have it” if you own some, and these papers open up — or choose PULPØ, which needs none.

Selection total

€449

1 × Luminograph A4

Learn more

The Luminograph A4 is a UV-A 395-400 nm exposure unit designed and assembled in France by VP, with a homogeneous spectral distribution verifiable by lux meter across the entire 230 by 330 mm working surface. It replaces two solutions historically used by alternative process practitioners: construction UV lamps, whose spectral emission is imprecise, and the sun, whose intensity varies hour by hour. Unlike the chemical kits in the catalog, the Luminograph is not a consumable but a long-term photographic instrument, dimensioned to handle A4 sheets from cyanotype to monochrome carbon with strictly comparable exposure reproducibility from one print to the next, regardless of season or daylight conditions.

The unit embeds no timer: its selector opens the UV channel and the practitioner counts the time — from 5 to 15 minutes for VP cyanotype up to the 2 to 5 minutes per layer of Aquaprint and bromoil. Since output varies with neither hour nor season, that count is enough to reproduce an exposure; the separately sold Wi-Fi module takes it over and cuts the lamp at the set time, driven from the Calibration Flow app. Process-specific calibration is handled through the free Calibration Flow application, which guides the practitioner step by step. Where the Luminograph A3+ targets gallery-scale exposure formats at 699 €, the A4 at 449 € addresses individual studio practice, learning and study prints. It is the missing link between rigorous VP chemistry and reproducible exposure, something no consumer substitute, halogen lamp, fluorescent tube or sunlight, currently offers in any reliable form.